Saturday, June 27, 2009
The bad news for photojournalism is that seeing more of it doesn't lead to a desire to see more of it. At the exhibition I found myself glancing at the wall labels for the bare essence of the problem about to be revealed. Once identified, I could then skim the photos certain that the outcome would prove harsh. The visual process was short circuited into stereotyping for the purpose of awarding the most sad sack story.
With that in mind, along comes the following news in the world of photography awards. The two student winners of the Paris Match photojournalism prize admit that they faked the photos after seeing the winning entries of the previous years' award and concluded that the predicability of photojournalism meant that "something real could be translated into something staged.” What began as a joke proved all too enticing for the judges.
Horses Think has the story along with the British Journal of Photography.
Tuesday, June 16, 2009
Monday, June 15, 2009
I was recently in Italy and spent several days at Lake Como (Lago di Como). It's beautiful--which for me isn't necessarily a motivating factor when it comes to taking personal photographs. Something about beauty that has a pre-formatted quality I'd rather not repeat.
One morning, while appreciating the gardens of the Villa Monastero on the perimeter of Varenna, I realized that it's beauty offered up different possibilities. I was able to mix unresolved formal elements and add historical time to the image. Pulling images out of situations can sometimes be hit and miss. Here the possibilites seemed plentiful, and the time spent shooting was as pleasurable as any I can remember.